Read Online Pachinko: The New York Times Bestseller By Min Jin Lee

Read Online Pachinko: The New York Times Bestseller By Min Jin Lee

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Pachinko: The New York Times Bestseller-Min Jin Lee

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* The million-copy bestseller* * National Book Award finalist * * One of the New York Times's 10 Best Books of 2017 * * Selected for Emma Watson's Our Shared Shelf book club * 'This is a captivating book ... Min Jin Lee's novel takes us through four generations and each character's search for identity and success. It's a powerful story about resilience and compassion' BARACK OBAMA. Yeongdo, Korea 1911. In a small fishing village on the banks of the East Sea, a club-footed, cleft-lipped man marries a fifteen-year-old girl. The couple have one child, their beloved daughter Sunja. When Sunja falls pregnant by a married yakuza, the family face ruin. But then Isak, a Christian minister, offers her a chance of salvation: a new life in Japan as his wife. Following a man she barely knows to a hostile country in which she has no friends, no home, and whose language she cannot speak, Sunja's salvation is just the beginning of her story. Through eight decades and four generations, Pachinko is an epic tale of family, identity, love, death and survival.

Book Pachinko: The New York Times Bestseller Review :



Pachinko by Min Jin Lee is a family saga about a four generations of a Korean family that is set in Korea and Japan. It’s a National Book Award finalist, and, in what may be an even greater honor than that, it made my Favorite Books list.I have found that it is easier to explain why I don’t like a particular book or to point out a book’s flaws than it is to explain why I absolutely loved one. It’s like explaining why a rainbow is beautiful. I can talk about how the colors are pretty or how it made me feel, but there is something about rainbows, sunsets, and the best works of art that transcends easy explanation. You just have to experience them. Read Pachinko.The format of the book is straightforward. It proceeds chronologically from about 1900-ish to 1989 and follows various characters that belong to one family. It never sprawls out of control – there aren’t 37 second-cousins that you will have to keep track of – and there aren’t flash-backs and flash-forwards that could potentially cause confusion. There are occasional Japanese or Korean words sprinkled around, but their meaning is apparent from the context. I don’t speak a lick of those languages, and I followed everything without ever having to consult a dictionary. The prose is simple and straightforward, generally consisting of short, direct sentences. There’s not a lot of fluff. Therefore, the book reads quickly, despite being an almost 500 page family saga about sexism, fate, hard work, destiny, chance, war, poverty, racism, familial obligations, identity, immigration, citizenship, language, education, opportunity, community, and faith.The main characters are diverse, interesting, flawed, and generally fundamentally good people. The characters are not very Dynamic (at least in an obvious way), but they weren’t really intended to be. This isn’t a story populated with characters that have grand, clear character arcs. This made them feel more realistic to me. How many people do you know that are on a Hero’s Journey? Most people I know just try to keep their heads down, work to put food on the table, and hope for good opportunities for their children.I’ve said before that I am a fan of history, and I was generally ignorant of Korean culture in Japan. Pachinko is not some dry history lesson, though. It’s as entertaining as a soap opera.You should read it.
I'm joining the smallish percent who found this novel far less engaging than the reviews and accolades would suggest. I didn't dislike it and I read the entire book but I found it slow-going and very uneven, both in the writing, characterization and plotting. I remain surprised this was a National Book Award nominee. As is the case with many generational sagas, it often had the feel of an outline that was filled in episodically. In some chapters, we got tremendous detail; in others, months and years of action were compressed into a few paragraphs. The themes of change, of discrimination and hatred, of the slow destruction of key aspects of Japanese/Asian society, of women's and men's roles, of sex, of work and the identify work confers, were all interesting, but as with so much of this novel, they were addressed unevenly. Some characters were fleshed out in great detail; others with broad brush strokes. In general, Lee does way better with women than men, but I never really felt I "knew" any of the characters beyond Sunja and to some extent Kyunghee. As we moved into the later years and second and third generations, the characters felt more like caricatures -- representing "types" rather than three-dimensional people.The style, as others have noted, is simple and spare. Sometimes that works well, and there are sections that truly resonated, where I stopped in admiration of a well-crafted sentence or metaphor. But just as frequently, I found sections that were awkward and definitely seemed to be written by someone for whom English was a second language. The sweep of the novel, while impressive, had similar inconsistencies. In some parts, we moved from month to month or year to year and then suddenly jumped several years. This added to the sense we were following an outline rather than a fleshed-out novel. Given Japan's role in the war, for example, it was strange how little of that came through. Even the bombing of Hiroshima and Nagasaki seemed like a footnote; there was virtually nothing about the level of devastation, despite Yoseb's being caught in the Nagasaki bombing and badly burnt and wounded. And by the time we got to the 1990s, it felt as though Lee were racing to finish, sending characters off to die or disappear, with one of the most abrupt endings I've ever read.

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